Fear
These days with everything that is going on in the market, all I see in the news are pictures of stock brokers stressed out. People holding their head in their hands. Brokers with scared eyes looking up at a sinking ticker. Yes, the economy is melting down a bit and people are fearful. The media wants to show clear images of people freaking out which only adds fuel to the fire. As an animator, how do we show fear or that our character is stressed out? Mostly it is by using gestures that reflect this. Self Touching is something that we humans do a lot when we are listening, under stress, or fearful to name a few things. In the book “Man Watching” Desmond Morris explains why this is and what it means. If you don’t have this book, find it. When we make our characters look fearful, we have to explore different ways of doing this. A good thing to do is to act out 10 different ways of doing the same thing. Another thing to do is to look at what other people do when they are scared or stressed. They may have a different way of expressing this emotion. What is an interesting choice? In animation or acting, it’s all about the choices that are made for the performance. Obviously, we want to avoid the cliche’ or transparent choices. We need our characters to have depth and to look interesting. The other day I was able to watch the new film “Ponyo” Some of the choices the character Ponyo makes when she finds the person she has been looking for were so sincere. I love that about Miyazaki’s films. There are moments that always seem so true. In essence we should all be searching for the truths in our characters and how they act. Whether its fear, longing, love, hate etc, etc.. we need to make it sincere. Hopefully, all these images in the news of fear will be of celebration…. In the mean time, we Animate!
-Andrew




Vince Gorman
Great post, and I’ll definitely check out that book. This has got me thinking:… Of course there are the cliches. But I’ve seen actors and animators do some cliches well. Why? I think the reason they pull it off is the subtleties in the broad gesture. For example, the guy in your post has his hands on his face. This sells the idea of fear, BUT What makes it ‘unique’ and ‘real’ to me is the closeness of his hands, the overlap of his right hand, his hitch-hiker thumb under his chin, and the vacant look in his eyes. So I guess we shouldn’t always avoid the cliche gesture, but should always avoid the non-uniqueness of the gesture?
David Beer
Andrew Dude, that Desmond Morris BBC documentary series The Human Animal was awesome. Besides the gesture communication stuff, I also loved the stuff about finding modern ways of hunting and adrenalin rushes. the nature of chasing/persuit and the bits about forming groups and clans, modern tribal activities, oh man, and the observations about how we copy each others body language after a while. wonderful stuff. I had to laugh at his bad hair-do though, haha. But thanks a mil for leading me to the water!
Victor Luo
Hi, Andrew, Thanks alot for your reply. The book by Desmond Morris has been published in Chinese version, and I got one. It is an awesome book, for the research of behavior analysis, body language, gesture, so many inspiring knowledge within, that it absolutely worthes buying for every animator in the world. Thanks again for your recommendation of such a wonderful book!
-Victor
Graham
The Naked Ape is another good book by Desmond Morris. You know I tried to locate that BBC series but I’m having trouble locating it. Anyone know where to find it?
Daniel Harriman
I agree with your comments about Miyazaki! Some of the moments in his films ring with such truth!
In the “making of” for Spirited Away, it was said that Chihiro, her mum and her dad were all based closely on real people that Miyazaki had met. Indeed anyone, apparently, that Miyazaki met was in danger of ending up in one of his films in some form!
And I would guess that’s his key. Ie: Observation. He must be drinking in information about people and world all the time! And it comes out in his work!
Definitely something that we should try to emulate.
Nelson
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