• Some Cool Links…

    I wanted to post an addendum to the Ricky Nierva Spline Cast. Ricky was talking about some inspirational art that he got from Bill Pressing. The artist is Ludwig Hohlwein. German poster artist, died in 1949. Here are some links:

    http://giam.typepad.com/100_years_of_illustration/ludwig_hohlwein_18741949/

    http://www.yaneff.com/html/artists/hohlwein.html

    Some other cool sites that have been floating around:

    http://penciltestdepot.blogspot.com/

    Here is a great site with some free downloads on animation education. Jason is a great animator at Dreamworks who really does a great job putting together these webinars… Click on the Ramp ups. I wish I had this when I was going to school. I could have saved alot of money.

    http://www.jrawebinar.com/body.htm

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  • Ricky Nierva Spline Cast… Finally!

    Sorry it took so long but I was finishing up with the Animation Intern Training program at Pixar. I finally had the time to edit and post this great interview with Ricky Nierva, Production Designer on UP. I hope you enjoy it. Ricky is a really great guy and I learned so much from talking with him. Please send your comments to the site and thanks for all the support.

    Ricky Nierva Spline Cast

    Also available on iTunes under Spline Cast

    23 Comments |
  • More on Demo Reels

    Lately, I have been looking at alot of demo reels. Many people sent in work for the internship we had this summer which is coming to a close. I wanted to touch on some of the works that stood out and others that faded into the background.

    1) First off, test your DVD. 20% or more just don’t work. You would be amazed at how many reels don’t play or expect the user to download a quicktime file or try it on other dvd players.

    2) Put your best stuff first. That first clip is the hook. You want to impress your viewers.

    3) End with something great. It leaves a lasting impression. Alot of the time you remember one or two great shots on  a reel.

    4) Don’t use those free Internet models. I cant tell you how many times we see the same 4 or five models. Yes, we know its hard to rig and  find a good model to animate, but seeing the same rig for all these years is getting old. If you are gonna use a free rig, alter it so much so that you cant tell that its the norman rig or the animation mentor rig.Using the stock rig is just boring.

    5) If possible, its great to see personal work, like a short film. I realize many people are professionals, but if you have been out of school for a few years, its still interesting to see your short film if its good. If you don’t know if its good, ask someone you respect or post it on a forum for feedback. I remember seeing a reel that had good professional work, but it was a one person acting test that closed the deal. I could see that person had a great sense of acting and emotion. They got the job.

    6) Content: People will say: Acting test, one and two person, run cycle, walk cycle, weight test… Thats BS. Of course we want to see all those things, but not in a boring way. An animator has to understand acting, appeal, weight, dynamics, locomotion, etc etc… Its great to see these things in a test that has a little story to it. Something that has entertainment value. What is it that sets you apart from the other person. If your a veteran animator, but have been animating nothing but creature work, its important to really show some work that demonstrates your acting skills, or vice versa… If you are 2d transitioning to 3d, the 3d has to be as good as the 2d or don’t show it. Yes there is ramp up time for a 2d animator making the jump, but you should still have the same skills when you were drawing it. It also goes the other way. I saw a reel that had some nice 3d work, then the 2d stuff came up and it was bad. That being said, it was not the draftsmanship, it was the animation.

    7) Demo reel music – make sure I can hear the dialogue. I don’t care about your taste in music. I just want to watch the work and concentrate on it. I hate reels that have loud jazzy music.. This is not a Bill Evans demo reel.

    8) Your titles… It always seems that the ones with fancy titles usually suck. Simple titles with your name in the beginning and at the end with your contact info. Put that same contact info on the DVD label. I remember a DVD that was lying around my office for the longest time that had a logo on it. I had no idea what it was… Months later, I played it and it was a great reel. If I had known earlier, maybe that reel would have seen the light of day sooner… (ultimately, the guy got hired)

    9) Length – Ok, if you worked 10 plus years in the biz, I know you have alot to show. We just don’t need to see it all. Show the best stuff. Some reels are also too short as well.. Somewhere between 1.5 minutes and 6 is acceptable. The 6 minute or over reel better be amazing or a short film.

    10) Make sure what you are showing is ok with the last place you worked. Its akward to see alot of work from a film that is not out for two years. It makes people ask ” So if they work here, will they put their work on a reel way before the film is out?” Just be careful… People judge…

    To sum up: There are so many aspects to a good demo reel. I certainly have my opinion and it does not represent everyone else’s. Heck, if I had to apply now, I’d probably have a harder time getting in, but what always impresses me in a demo reel is good ideas. Wheter they be acting ideas, story, etc… how a gesture is done etc, etc… That will win me over more than a reel that has perfect polish. Einstein said “Imagination is more important than knowledge?” How true that rings for our industry as well….

    Hope this helps a bit.

    Andrew

    37 Comments |
  • Matt Luhn’s How to Draw Cartoons Books

    My Friend and Teaching Buddy, Matt Luhn just came out with a really cool new set of books. They are geared towards beginners, but really have some great info inside. They are a great gift for people trying to get into animation, escpecially kids in grade school. You can find the books in a bunch of art stores. Matt also teaches a class that goes along with all the great stuff in the book.

    Matt and I are hoping to set up another story/animation masterclass soon. The first class we did in Montreal was a big success. Here are some comments about the class.

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  • Ricky Nierva Interview Coming soon

    Im finally recording Ricky… Send in any last minute questions… Should be up next week..

    Andrew

    12 Comments |