Animation Challenge closed
If you are submitting an exercize for the animation challenge it is due today. The challenge was to grab a story from the news an animate an espect of it.
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The Animation Collaborative
Myself and fellow animator Michal Makerawicz are starting a workshop where students can learn animation and storytelling. The location is across the street from our place of employment, Pixar. We are starting small with 4 workshop classes for summer and a fall offering. Each workshop is intimate with only 8 spots. The reason we wanted to do this was to teach outside the system of a large school. We think we have some of the best teachers for animation and will offer workshops on Story, Character Design and Acting and filmmaking. Students will also benefit from lectures and guest speakers. You come in, we access where you are at and what assignments you do. Applicants will need to have their own computers and software in order to do the work. What we are providing is lecture, and critique. The cost for the workshop will be $1400 for summer (8 sessions) and $1900 for the fall session (12 session plus 1 for guest speaker). It will meet once a week from 7 to 10.
Send email to animationcollab@gmail.com for info or to reserve a spot -
Animation Challenge!!!
Its been a while since we had an animation challenge, and since everyone is graduating, I thought it would be fun to do something. We have some good prizes as well!Here is the challenge!:
Many people have emailed me in regards to doing 24 hour challenges or assignments they were given a week to do and the results are amazing. I know many schools do this and its a great way to just go for it. I am not proposing a 24 hour challenge, but I am proposing a 1 month challenge. Heres the idea…
Take something that has been in the news starting a 6 months back to now or whatever pops up in the next days weeks and animate an aspect of it. You have probably seen NMA World Edition. Its something like this but hopefully more artfully done.It should tell a story through animation. It can be something related to the news story but does not need to be factual. An obvious example would be something related to Osama being captured. Obviously, nothing in bad taste but there is entertainment to be seen in every story. The piece should not be longer than a minute unless you think you can do it. The pieces will be judged on overall idea, style, story and animation. You will have to provide a link to the story you are using. The contest starts May 9th and Ends June 10th.
The Prizes:
1st Prize: A Ticket to the VanARTS Class Matt Luhn and I are teaching in New York, Austin or Montreal. You will have to get yourself there, but admission will be taken care of and you will get a signed poster.
2nd Prize: A Limited Edition Tin Toy Collectable (only 500 made)
3rd Prize: A Pixar Sweatshirt
Top 10 will be posted on the site.
The challenge will only take place if there are 10 or more applicants. Please email splinedr@gmail.com if you plan to participate. This challenge is in no way supported or related to anything at Pixar/Disney and is put on completely for educational/recreational purposes
Good Luck!!!
Andrew
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Blocking Type Results
After looking at about 50 people, it seems that stepped mode for blocking is the preferred approach. The following graphics show Industry to blocking style and years in the biz to blocking style. Take a look at the graphs. Some interesting results. It seems like I am in the minority… I have used spline transition blocking for my 14 years at pixar. It was one of the only ways to work when I started and it all changed when the incredibles go going. I do see the strength of Step mode and I do use it in Pre Production. Linear for me does not make sense and Layering is good for certain types of shots in my honest opinion (mostly action shots). All in all what counts is clarity. Everyone has a different way to work. What I have seen not work is too much complexity in the beginning. Keeping is rough and simple seems to be good. Some animators really work for strong poses in the very beginning stages and I see the benefit to this. Thanks to everyone for participating and please keep adding feedback. Next I am going to Poll animators around the office.
Andrew
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What Spline Do You Use?
In the next couple of posts I am going to talk to some animators and ask them how they block a shot. One of the big questions is what kind of method is used to block in work. How do your poses transition from one to the next? Do you do a pose test where the computer does not interpolate the in-betweens? This would be called held or step key transition splines. I have seen every type but I thought it would be interesting to take a bit of a random survey. In the next days we shall see the result from you and then talk to animators at Pixar.. In the comments section I would love to see answers from people out there in the world. If you could answer in the following order:
Industry: (ie Games, Features, FX, TV, 2-d, Motion graphics etc… You can even mention the name of the place if you want)
Years in Biz ( Student, 0 to 5, 5 to 10, 10 plus, old timer)
Blocking Type: ( held knot, Spline, Linear, Combination, layered etc..)
The object of this survey is to see how people work and how it relates to how long you have been working as well as what you are working on. Feel free to add any thing else in the comments .
Thanks,
Andrew
